| Modern poetry grew out of the First World War. | | | | dead |
| English verse altered under the impact of mass | | | | Across your dreams in pale battalions go, |
| murder in the trenches 1914-1918 and ceased to | | | | Say not soft things as other men have said, |
| be cosy. The war spread to Russia and Italy and | | | | That you'll remember. For you need not so. |
| Turkey and into the Middle East, but the Western | | | | Give them not praise. For, deaf, how should they |
| Front in France was the focus of attention at | | | | know |
| home. The opening bombardment on the Somme | | | | It is not curses heaped on each gashed head? |
| was heard in London.Poetry came closer to news. | | | | Nor tears. Their blind eyes see not your tears |
| Poets became war correspondents of feeling and | | | | flow. |
| suffering rather than celebrants of glory, honour, | | | | Nor honour. It is easy to be dead. |
| patria and remembrance. They ceased to be | | | | (Charles Hamilton Sorley)After two years of |
| crudely national. This is not to claim that all poetry | | | | war, Brooke's notions had melted. Casualty lists |
| had hitherto been glossy magazine verse or that | | | | appeared in the papers every day and the worst |
| wars had never been reported graphically. The | | | | came in July 1916. The First Battle of the Somme |
| change and difference lay in mud and blood | | | | claimed over a million dead and wounded on all |
| becoming fit subjects for poetry.One of the most | | | | sides. On Day 1 the British suffered almost 60,000 |
| anthologised poems in the language is Rupert | | | | casualties of which 20,000 were reported dead or |
| Brooke's 'The Soldier': Romantic, dreamy, patriotic: | | | | missing. Sorley's poem no longer seemed seditious: |
| even the air has nationality. It's a poem about | | | | it sounded all too accurate.Siegfried Sassoon |
| falling asleep and waking up dead and not feeling a | | | | (1886-1967) was an aristocrat who won the |
| thing except happy. Falling, yes, that word is | | | | Military Cross in the First World War and became |
| deliberate - falling and rising. It celebrates memorial | | | | a pacifist. He composed a protest statement in |
| resurrection and the suspension of time.If I should | | | | 1917 which was published in The Times |
| die, think only this of me: | | | | newspaper and read aloud in Parliament. After this |
| That there's some corner of a foreign field | | | | he was diagnosed as suffering from shell shock |
| That is for ever England. There shall be | | | | and hospitalised. A fellow patient was Wilfred |
| In that rich earth a richer dust concealed; | | | | Owen whose poems Sassoon collected and |
| A dust whom England bore, shaped, made | | | | published in 1920.Wilfred Owen (1893-1918): Gas |
| aware, | | | | attack had added a new dimension of terror: the |
| Gave, once, her flowers to love, her ways to | | | | first such attack occurred at Ypres in April 1915 |
| roam, | | | | and in one of the most famous anti-war poems |
| A body of England's breathing English air, | | | | Wilfred Owen describes the 'ecstasy of fumbling' |
| Washed by the rivers, blest by suns of home. | | | | for a gas mask and of one drowning and lost, |
| And think, this heart, all evil shed away, | | | | which, if you had seen it, you would not then |
| A pulse in the eternal mind, no less | | | | repeat the old lie from Horace's Odes that it's |
| Gives somewhere back the thoughts by England | | | | sweet and fitting to die for your country - dulce |
| given; | | | | et decorum est pro patria mori.That was it. That |
| Her sights and sounds; dreams happy as her | | | | was modernity. The givens and certainties of the |
| day; | | | | pre-war world had fallen to doubt and would go |
| And laughter, learnt of friends; and gentleness. | | | | along with Tsars and Kaisers into the dustbin of |
| In hearts at peace, under an English | | | | history.Now regarded as the most poignant and |
| heaven.Brooke was a Greek scholar at Cambridge | | | | significant of the War Poets, Owen came from |
| and the central thought turns on the idea of | | | | Shropshire, went to school in Birkenhead than |
| cosmic memory (mnemosyne) in which he will be | | | | studied agriculture in London and Reading. Before |
| 'a pulse in the eternal mind' reverberating still to an | | | | the war he lived in France while recovering from |
| English tempo. The poem may be classed among | | | | an illness and was unfit to enlist in 1914 - but was |
| the literature of martyrology, though it's not a | | | | accepted by the army in 1915. He was wounded |
| religious poem. It plays on the poetic turn of mind | | | | and received the Military Cross. Siegfried Sassoon |
| that dreams of being taken up in rapture for the | | | | encouraged his writing while they were together in |
| sake of the cause or the faith - this earth, this | | | | an Edinburgh hospital and brought out the first |
| realm, this England invested with divinity, half in | | | | edition of Owen's poetry. Only five of his poems |
| love with easeful death.If this is the most patriotic | | | | were published in his lifetime but they gained |
| verse after the speech before Agincourt in Henry | | | | attention. Well-wishers attempted to obtain a safe |
| V, notice the fundamental difference: | | | | posting for him but he returned to France late in |
| Shakespeare tells us 'Old men forget, yet all shall | | | | the war and was killed a week before the |
| be forgot,' whereas Brooke is claiming the | | | | Armistice in November 1918. His poems were |
| opposite - that all shall be remembered, | | | | chosen by Benjamin Britten for The War Requiem |
| effortlessly. And, it is also the tranquillisation of | | | | and his small collection of works was re-edited by |
| bad memory: the 'all evil shed away' is the things | | | | the Poet Laureate Cecil Day Lewis.Read the full |
| you don't want to remember and which others | | | | version of this essay at: |
| are to be spared.The War Poets did not come to | | | | Colbourn has published many articles about |
| treat war in the grand and glorious manner of | | | | literature on Literature-study-online at He is a |
| Brooke, who was ignorant of the matter beyond | | | | freelance writer. He has written widely on English |
| the Iliad, and their verses gained more attention | | | | Language Teaching and has published articles on |
| during the course of the war - in several cases | | | | literature, linguistics, and computers in various |
| after their deaths. During the conflict, much of | | | | journals together with many Readers for |
| their writing would have been regarded as | | | | Heinemann and Macmillan Education. He has |
| defeatist and could not pass the censorship | | | | contributed articles on literature to The Essentials |
| restrictions imposed early in the war. Yet, by 1916 | | | | of Literature in English post-1914, published by |
| the public mood had changed and the following | | | | Hodder Arnold in 2005. |
| appeared:When you see millions of the mouthless | | | | |